Comicverlag: Panini, Dupuis, Amalgam Comics, Drawn and Quarterly, Casterman, Edition Moderne (German Edition)

Ξ December 4th, 2010 | → 0 Comments | ∇ drawn and quarterly |

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Buy Cheap at Best Price Buy Good Comicverlag: Panini, Dupuis, Amalgam Comics, Drawn and Quarterly, Casterman, Edition Moderne (German Edition) Online and Reviews Aus Wikipedia. Nicht dargestellt. Auszug: Amalgam Comics was an American comic book publisher of metafiction; it was a collaboration between Marvel Comics and DC Comics, in which the two comic book publishers merged their characters to create new ones (e.g., DC Comics’ Batman and Marvel’s Wolverine became the Amalgam character Dark Claw). These characters first appeared in a series of twelve comic books which were published in 1996, between issues 3 and 4 of the Marvel vs. DC miniseries. A second set (of another twelve comic books) followed a year later. The Official Handbook of the Marvel Universe: Alternate Universes 2005 designated the Amalgam Universe as Earth-9602. The two comic universes came together when the incarnations of their respective universes (referred to as “the Brothers”) became aware of each other after aeons of slumber. To prevent the Brothers from destroying each other, characters from each universe battled to determine which universe would survive; several of the matches were determined by fan votes. Axel Asher, a character created for the event (co-owned by Marvel and DC), served as a gate keeper who became stuck while traveling between both Universes. When the fights concluded, neither universe was willing to go. To prevent total destruction, the Spectre and the Living Tribunal created a merged universe, in which only Axel Asher and Dr. Strangefate knew the truth. Each struggled against the other to reverse or preserve the change. Eventually, Axel Asher, now called Access, managed to separate the Brothers with the help of Amalgam’s heroes; before the merge had taken place, he had planted ‘shards’ of the universe in Batman and Captain America, and, once he discovered Dark Claw and Super-Soldier, he used those shards to give the Spectre and the Tribunal the power to restore the universes. Batman, Captain America and Access were thus able to make the Brothers realise that their conflict was pointless, and …http://booksllc.net/?l=de
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A Drifting Life

Ξ November 21st, 2010 | → 0 Comments | ∇ drawn and quarterly |

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The epic autobiography of a manga master

Acclaimed for his visionary short-story collections The Push Man and Other Stories, Abandon the Old in Tokyo, and Good-Bye—originally created nearly forty years ago, but just as resonant now as ever—the legendary Japanese cartoonist Yoshihiro Tatsumi has come to be recognized in North America as a precursor of today’s graphic novel movement. A Drifting Life is his monumental memoir eleven years in the making, beginning with his experiences as a child in Osaka, growing up as part of a country burdened by the shadows of World War II.

Spanning fifteen years from August 1945 to June 1960, Tatsumi’s stand-in protagonist, Hiroshi, faces his father’s financial burdens and his parents’ failing marriage, his jealous brother’s deteriorating health, and the innumerable pitfalls that await him in the competitive manga market of mid-twentieth-century Japan. He dreams of following in the considerable footsteps of his idol, the manga artist Osamu Tezuka (Astro Boy, Apollo’s Song, Ode to Kirihito, Buddha)—with whom Tatsumi eventually became a peer and, at times, a stylistic rival. As with his short-story collection, A Drifting Life is designed by Adrian Tomine.


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